- HOW TO DO STOP MOTION ANIMATION WITH CANON GX7 MOVIE
- HOW TO DO STOP MOTION ANIMATION WITH CANON GX7 720P
- HOW TO DO STOP MOTION ANIMATION WITH CANON GX7 MANUAL
- HOW TO DO STOP MOTION ANIMATION WITH CANON GX7 FULL
- HOW TO DO STOP MOTION ANIMATION WITH CANON GX7 CODE
Single autofocus operations can be triggered before or during movie recording by half-pressing the shutter button or pressing the AF-ON button.In common with all other HD-DSLRs we've seen to date, though, the magnified focus-assist view is only available when not actively recording.
HOW TO DO STOP MOTION ANIMATION WITH CANON GX7 MANUAL
The 70D does provide the option of magnifying the Live View display by factors of 5x or 10x to get a precise look at manual focusing prior to the start of recording. Of course, manual focusing is also available on the 70D, as is disabling the continuous Movie Servo AF feature and using a single-shot autofocus prior to recording video to set focus. The Touch AF system makes it easy to rack focus from near and far subjects quickly, accurately and smoothly, without any hunting. When using Movie Servo AF and the touchscreen and focusing modes like Flexi-Zone Single, shooters can make easy and professional-looking focus changes simply by tapping on the screen to indicate the subject they want in focus. The Canon 70D features a large, 3-inch capacitive touch screen which, when coupled with the Dual Pixel CMOS AF, allows for very fast and easy control of autofocusing in video. This can have undesirable effects for video recording, as focus can jump back a forth if the subject moves at all in the frame during recording, and if the subject moves quickly, the camera may struggle to refocus.ġ,920 x 1,080, MPEG-4, Progressive, 30 fps The downside is that this process is typically slower, plus the lens still has to hunt back and forth a bit to determine the point of best focus. The way this system worked was that phase-detect would get the ball rolling for focusing, then contrast-detect would take over for fine-tuning to achieve crisp focus. Canon's previous full-time continuous video autofocus systems, called Hybrid CMOS AF (T5i, T4i, EOS-M) and Hybrid CMOS AF II (SL1), used both phase-detect and contrast-detect AF. The clear stand-out feature of the 70D is the new Dual Pixel CMOS AF system.
HOW TO DO STOP MOTION ANIMATION WITH CANON GX7 FULL
Here's the full rundown of the 70D's video capabilities, along with our usual selection of sample videos. Canon users who demand the highest quality might opt for the 5D Mark III if this is a deal breaker for them, though they will have to forgo full-time autofocus.Īll in all, though, the Canon 70D is a powerhouse for video recording, and not only will high-end users be attracted to the vastly improved autofocus, beginners and average consumers will as well. Also, video image quality appears more like the 5D Mark II and 6D in terms of moiré and aliasing. For one, there's no headphone jack for monitoring audio, which many professionals and video enthusiasts need. Of course there are always trade-offs, and there are few small details that might deter some users from the 70D. There's also a 3.5mm microphone jack for external mics, as well as manual audio level adjustments with a wind filter and attenuator.
HOW TO DO STOP MOTION ANIMATION WITH CANON GX7 720P
Like the 60D, there's Full HD 1,920 x 1,080 resolution video at 30p and 24p (for NTSC, 25p in PAL mode), plus 720p HD video at 60p (50p PAL).
Other video specs of the 70D are fairly standard fare for Canon DSLRs. And this whole package is built upon a game-changing AF system that will not only provide major competition to other MILCs and HD-DSLRs, but some segments of the camcorder market as well.
HOW TO DO STOP MOTION ANIMATION WITH CANON GX7 CODE
With the 70D, Canon is blending features of their higher-end DSLRs, such as offering both ALL-I and IPB formats and time code (though not SMTPE) from the 6D and 5D Mark III, with the articulated LCD of the 60D (adding a capacitive touchscreen in the process), all at a very reasonable price point.
The GH2 and GH3 made big leaps in the HD-DSLR/MILC video space with lots of video-centric features like higher bitrates, an articulated LCD screen, as well as full-time AF for video. Phase-detect AF, the same AF technology DSLRs use for shooting with the optical viewfinder, provides much faster and smoother autofocus for DSLR video shooting.Ĭanon is putting interchangeable lens video/still cameras like the Panasonic GH3 squarely in its sights. With the 70D, Canon has introduced its all-new Dual Pixel CMOS AF, replacing the Hybrid AF systems found in the aforementioned models with one that splits each individual pixel on the imager into its own phase-detect AF sensor, with no need to fine-tune via contrast detection. Several more recent Canon DSLRs such as the T4i, T5i and SL1 feature full-time continuous AF for video recording, but they still rely heavily on slower and sometimes-jerky contrast-detect autofocus to fine-tune focus. When Canon introduced the 5D Mark II, it stunned crowds with its video quality and price, but it lacked a big mass-market feature: autofocus during video recording. The EOS 70D is Canon's latest entry in the HD-DSLR market, and the company is aiming to make a big splash with it, thanks to its brand new Dual Pixel CMOS AF focusing system.